| Noriko Shinohara | |||
Shows |
2007 |
Making a Home: Japanese Contemporary Artists in New
York New Prints 2005/Autumn from International Print Center
New York, at Columbia College, Chicago |
|
| Group Shows |
2003- 1981 |
click here for list | |
| Collected By | Davis Museum & Cultural Center Wellesley College |
| Herstory... | 1953 | Born in Takaoka-city, Japan. | |
| 1972 | Graduates from Takaoka high
school. Leaves for New York. Sublets Greenwich Village aparment from
artist Kenzo Okada Enrolls at Art
Students League. | ||
| 1973 | Meets Ushio Shinohara, artist 21 years her senior. One week later moves into his loft, for which she starts paying the rent, giving up Greenwich Village apartment. Frequents SOHO bars neglecting ASL, which expells her. She enrolls at Pratt Graphics Center to get student visa. Becomes pregnant. | ||
| 1974 | Gives birth to son, Alexander Kukai, causing her parents to cut off financial support, leaving her to face poverty for first time in her life. | ||
| 1977 | Expelled from Pratt for non-payment of tuition, lives without visa. | ||
| 1979 | Marries Ushio Shinohara one month after his first wife divorces him. | ||
| 1980 | Gets Green Card. | ||
| 1981- 1991 |
Shows in Group Exhibitions [click here] | ||
| 1986 |
Moved to loft in DUMBO (Down Under
Manhattan Bridge Overpass) | ||
| 1987 | First visit to Bermuda gives her idea of writing. | ||
| 1988 | Started the novella Kosodate Jigoku ("Hell of Raising a Child"), based on her experience raising not her son but her husband, in a Japanese News Paper “O.C.S.” published in New York. Continues for 3 years. | ||
| 1992 | Son Alexander graduates from La Guardia High School of Music & Art, enrolls at Rhode Island School of Design | ||
| 1994 | Publishes novella, Tameiki no New York ("Sighs of New
York") based on "Hell of Raising a Child" [to
see sample page, click here] | ||
| New Arts |
1995 |
Begins study of
etching with master teachers in Kyoto
& Tokyo. | |
|
|
Kyoto
City Art University (etching) & Tokyo National Art University (etching but also aquatint & engraving). |
||
| 1996 |
Son Alexander graduates from RISD, returns home:
three artists at work in one loft. | ||
| 1998 |
Produces husband's
"Boxing Painting" performance at MAK, Vienna. | ||
| 1999 |
First show of new
etchings & related pastels & oils at Galleria
Grafica, Tokyo. Shows with 25 Artists Celebrate The Asian American Art Center 25th anniversary, New York. | ||
| 2000 |
Organizes husbands' Boxing Painting
Performance, “ET L’ART SE MET AU MONDE PROLOGUE POUR LA BIENNALE,”
Institut d'art contemporain - Frac
Rhône-alpes / Nouveau musée, Villeurbanne. Organizes “Boxing Painting” in the group exhibition “Metamorphosis-Analyzing the paper” at the Busan Metropolitan Art Museum, Busan, Korea. Stakes out her own studio within the loft, declares independence. | ||
| 2003 |
Son gives Mother a
daughter: Alexander
marries an artist, Gaku: four artists working in one
loft. | ||
| Life of art in loft jeopardized by
development, raising rents in DUMBO
(Down Under Mahattan Bridge Overpass). |