THE TOP 120
MOVIES OF ALL TIME BASED ON CRITICS' POLLS
This list is pretty comprehensive. It is compiled from Sight and Sound's 2002 and 1992 polls of 253 and 233 critics, scholars, and filmmakers, respectively, Positif's 2002 poll, the Village Voice's 1999 poll of 50 critics, Time Out's 1995 poll of 63 critics, a list compiled from the online group Cinemasters, and a ranking based on how many times a movie made the top 10 lists of all 500+ people polled. Each film's final ranking is based on a formula taking each poll into account, each poll getting greater weight as the number of voters increase and less weight the older a poll is. Here are the results listing ranking, title, year of release, director, and how each film performed in the respective polls. Note that ties appear frequently among individual polls.
Tile |
Year |
Director |
Cinemasters '03 |
Sight & Sound '02 |
Positif '02 (top 40 only) |
Village Voice '99 |
Time Out '95 |
Sight & Sound '92 |
All Individuals' Lists
Combined |
|
1 |
Citizen
Kane |
1941 |
Welles |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
The
Rules of the Game |
1939 |
Renoir |
5 |
3 |
1 |
2 |
3 |
2 |
2 |
3 |
Vertigo |
1958 |
Hitchcock |
2 |
2 |
2 |
3 |
4 |
4 |
3 |
4 |
2001:
A Space Odyssey |
1968 |
Kubrick |
1 |
6 |
1 |
11 |
37 |
10 |
4 |
5 |
8
1/2 |
1963 |
Fellini |
9 |
4 |
3 |
|
15 |
5 |
5 |
6 |
The
Seven Samurai |
1954 |
Kurosawa |
23 |
9 |
27 |
23 |
5 |
12 |
7 |
7 |
The
Searchers |
1956 |
Ford |
30 |
14 |
13 |
4 |
20 |
9 |
8 |
8 |
Tokyo
Story |
1953 |
Ozu |
64 |
8 |
|
36 |
9 |
3 |
8 |
9 |
Singin'
in the Rain |
1952 |
Kelly;
Donen |
20 |
12 |
40 |
73 |
57 |
14 |
10 |
10 |
Sunrise |
1927 |
Murnau |
8 |
13 |
|
6 |
80 |
20 |
11 |
11 |
Touch
of Evil |
1958 |
Welles |
11 |
19 |
13 |
55 |
8 |
28 |
13 |
12 |
The
Godfather, Part II |
1974 |
Coppola |
36 |
5 |
20 |
31 |
2 |
16 |
16 |
13 |
The
Godfather |
1972 |
Coppola |
29 |
7 |
|
12 |
2 |
20 |
15 |
14 |
Battleship
Potemkin |
1925 |
Eisenstein |
|
11 |
|
79 |
28 |
10 |
6 |
15 |
L'Atalante |
1934 |
Vigo |
|
25 |
|
7 |
10 |
5 |
12 |
16 |
The
Passion of Joan of Arc |
1928 |
Dreyer |
42 |
16 |
|
8 |
66 |
7 |
13 |
17 |
The
General |
1927 |
Keaton |
83 |
28 |
|
32 |
31 |
20 |
20 |
18 |
Rashomon |
1951 |
Kurosawa |
|
10 |
|
10 |
66 |
25 |
18 |
19 |
La
Dolce Vita |
1960 |
Fellini |
|
17 |
10 |
|
20 |
25 |
32 |
20 |
Raging
Bull |
1980 |
Scorsese |
47 |
23 |
|
|
7 |
7 |
16 |
21 |
Children
of Paradise |
1945 |
Carne |
|
32 |
|
|
13 |
20 |
21 |
22 |
City
Lights |
1931 |
Chaplin |
45 |
35 |
|
38 |
80 |
16 |
18 |
23 |
L'Avventura |
1960 |
Antonioni |
|
21 |
13 |
|
88 |
33 |
22 |
24 |
Jules
and Jim |
1961 |
Truffaut |
13 |
22 |
|
|
|
33 |
22 |
25 |
Bicycle
Thieves |
1948 |
De
Sica |
|
18 |
|
37 |
|
14 |
27 |
26 |
Grand
Illusion |
1937 |
Renoir |
21 |
33 |
|
|
49 |
33 |
22 |
27 |
The
Third Man |
1949 |
Reed |
57 |
44 |
|
30 |
49 |
28 |
22 |
28 |
Pather
Panchali |
1955 |
Ray |
|
37 |
|
13 |
60 |
12 |
27 |
29 |
Ugetsu
Monogatari |
1953 |
Mizoguchi |
65 |
43 |
20 |
29 |
88 |
41 |
35 |
30 |
Contempt |
1963 |
Godard |
40 |
42 |
4 |
49 |
|
41 |
31 |
31 |
Lawrence
of Arabia |
1962 |
Lean |
|
15 |
|
|
6 |
41 |
42 |
32 |
Wild
Strawberries |
1957 |
Bergman |
|
50 |
13 |
|
|
25 |
29 |
33 |
The
Magnificent Ambersons |
1942 |
Welles |
43 |
64 |
|
25 |
15 |
50 |
26 |
34 |
Some
Like It Hot |
1959 |
Wilder |
|
29 |
27 |
|
23 |
50 |
51 |
35 |
Andrei
Rublev |
1966 |
Tarkovsky |
|
33 |
|
|
|
20 |
34 |
36 |
A
bout de souffle |
1959 |
Godard |
|
19 |
|
|
32 |
28 |
51 |
37 |
Apocalypse
Now |
1979 |
Coppola |
90 |
40 |
10 |
|
17 |
33 |
47 |
38 |
Taxi
Driver |
1976 |
Scorsese |
6 |
38 |
|
34 |
23 |
|
33 |
39 |
Modern
Times |
1936 |
Chaplin |
|
56 |
|
67 |
|
16 |
30 |
40 |
The
Night of the Hunter |
1955 |
Laughton |
26 |
89 |
6 |
35 |
11 |
50 |
35 |
41 |
Fanny
and Alexander |
1983 |
Bergman |
|
30 |
10 |
|
88 |
33 |
64 |
42 |
Psycho |
1960 |
Hitchcock |
|
26 |
|
20 |
|
61 |
47 |
43 |
Ordet |
1955 |
Dreyer |
74 |
52 |
|
17 |
85 |
50 |
40 |
44 |
Intolerance |
1916 |
Griffith |
|
52 |
|
18 |
72 |
28 |
45 |
45 |
Persona |
1966 |
Bergman |
91 |
58 |
4 |
|
66 |
61 |
35 |
46 |
Casablanca |
1942 |
Curtiz |
22 |
46 |
|
|
80 |
|
35 |
47 |
The
Conformist |
1970 |
Bertolucci |
45 |
58 |
|
58 |
12 |
41 |
54 |
48 |
Ivan
the Terrible |
1944 |
Eisenstein |
|
47 |
|
|
|
50 |
47 |
49 |
Sunset
Blvd. |
1950 |
Wilder |
31 |
27 |
|
45 |
|
|
51 |
50 |
North
by Northwest |
1959 |
Hitchcock |
44 |
57 |
|
51 |
17 |
73 |
45 |
51 |
Chinatown |
1974 |
Polanski |
14 |
45 |
|
21 |
19 |
|
59 |
52 |
Mirror |
1974 |
Tarkovsky |
|
31 |
13 |
|
88 |
33 |
87 |
53 |
M |
1931 |
Lang |
81 |
49 |
|
22 |
|
|
42 |
54 |
Rio
Bravo |
1959 |
Hawks |
51 |
65 |
27 |
|
32 |
61 |
62 |
55 |
Greed |
1924 |
Stroheim |
80 |
65 |
|
28 |
66 |
73 |
40 |
56 |
Barry
Lyndon |
1975 |
Kubrick |
50 |
55 |
7 |
46 |
88 |
|
59 |
57 |
Pierrot
le Fou |
1965 |
Godard |
69 |
95 |
27 |
81 |
40 |
33 |
35 |
58 |
The
Gold Rush |
1925 |
Chaplin |
|
72 |
|
50 |
49 |
61 |
42 |
59 |
The
Seventh Seal |
1956 |
Bergman |
|
38 |
|
33 |
88 |
61 |
73 |
60 |
Rear
Window |
1954 |
Hitchcock |
56 |
68 |
|
|
26 |
41 |
54 |
61 |
Dr.
Strangelove: or How I Learned to Stop Worrying and Love the Bomb |
1964 |
Kubrick |
86 |
24 |
|
|
57 |
93 |
68 |
62 |
Au
Hasard, Balthazar |
1966 |
Bresson |
|
36 |
|
9 |
|
|
54 |
63 |
The
Man with a Movie Camera |
1928 |
Vertov |
97 |
63 |
|
5 |
|
61 |
59 |
64 |
The
400 Blows |
1959 |
Truffaut |
|
51 |
|
47 |
42 |
|
54 |
65 |
Sansho
the Bailiff |
1954 |
Mizoguchi |
54 |
81 |
7 |
|
88 |
|
54 |
66 |
La
Strada |
1954 |
Fellini |
|
62 |
|
|
|
16 |
79 |
67 |
The
Wizard of Oz |
1939 |
Fleming |
|
77 |
|
15 |
|
50 |
64 |
68 |
My
Darling Clementine |
1946 |
Ford |
|
|
|
|
37 |
41 |
47 |
69 |
Amarcord |
1973 |
Fellini |
|
60 |
40 |
|
66 |
73 |
94 |
70 |
The
Earrings of Madame de... |
1953 |
Ophuls |
|
99 |
40 |
24 |
|
61 |
64 |
71 |
The
Wild Bunch |
1969 |
Peckinpah |
61 |
72 |
40 |
|
22 |
|
73 |
72 |
Ikiru |
1952 |
Kurosawa |
|
84 |
|
|
|
41 |
68 |
73 |
Last
Year at Marienbad |
1962 |
Resnais |
|
72 |
27 |
|
42 |
|
79 |
74 |
Nashville |
1975 |
Altman |
|
68 |
|
|
|
50 |
79 |
75 |
It's
a Wonderful Life |
1946 |
Capra |
33 |
99 |
|
16 |
28 |
|
62 |
76 |
Blade
Runner |
1982 |
Scott |
38 |
65 |
|
|
60 |
|
79 |
77 |
Pickpocket |
1959 |
Bresson |
|
77 |
|
61 |
49 |
50 |
91 |
78 |
Letter
from an Unknown Woman |
1948 |
Ophuls |
|
95 |
|
|
42 |
33 |
73 |
79 |
Metropolis |
1926 |
Lang |
|
47 |
|
40 |
|
|
94 |
80 |
Viridiana |
1961 |
Buñuel |
|
89 |
|
|
|
61 |
68 |
81 |
Voyage
in Italy |
1953 |
Rossellini |
|
84 |
|
|
|
50 |
73 |
82 |
The
Apartment |
1960 |
Wilder |
15 |
41 |
|
|
|
|
118 |
83 |
L'Age
d'Or |
1930 |
Buñuel |
|
68 |
|
|
|
73 |
87 |
84 |
Paisan |
1946 |
Rossellini |
|
|
|
70 |
|
28 |
79 |
85 |
Bringing
Up Baby |
1938 |
Hawks |
10 |
|
|
|
42 |
93 |
73 |
86 |
Stagecoach |
1939 |
Ford |
|
99 |
|
|
|
50 |
73 |
87 |
The
World of Apu |
1959 |
Ray |
|
|
|
54 |
|
73 |
68 |
88 |
Sherlock,
Jr. |
1924 |
Keaton |
34 |
99 |
|
42 |
|
|
68 |
89 |
Blue
Velvet |
1986 |
Lynch |
25 |
|
|
|
60 |
|
64 |
90 |
The
Discreet Charm of the Bourgeoisie |
1972 |
Buñuel |
59 |
|
|
|
|
73 |
79 |
91 |
Napoleon |
1927 |
Gance |
|
68 |
|
|
26 |
|
105 |
92 |
Notorious |
1946 |
Hitchcock |
59 |
99 |
|
80 |
72 |
|
79 |
93 |
The
Lady Eve |
1941 |
Sturges |
28 |
|
|
57 |
42 |
|
94 |
94 |
Gertrud |
1964 |
Dreyer |
|
|
|
|
|
41 |
91 |
95 |
All
About Eve |
1950 |
Mankiewicz |
84 |
|
|
77 |
37 |
|
79 |
96 |
Hiroshima,
Mon Amour |
1959 |
Resnais |
|
|
7 |
|
|
93 |
87 |
97 |
The
Man Who Shot Liberty Valance |
1962 |
Ford |
|
81 |
20 |
60 |
|
|
105 |
98 |
The
Decalogue |
1988 |
Kieslowski |
27 |
84 |
|
|
|
|
100 |
99 |
Stalker |
1979 |
Tarkovsky |
|
|
|
|
|
41 |
94 |
100 |
The
Traveling Players |
1975 |
Angelopoulos |
|
81 |
|
|
|
43 |
100 |
And the 20 that did not quite make it...
Title |
Year |
Director |
Cinemasters '03 |
Sight & Sound '02 |
Positif '02 (top 40 only) |
Village Voice '99 |
Time Out '95 |
Sight & Sound '92 |
All Individuals' Lists
Combined |
|
101 |
Aguirre:
The Wrath of God |
1972 |
Herzog |
|
|
|
43 |
|
61 |
100 |
102 |
Aparajito |
1956 |
Ray |
|
|
|
54 |
|
73 |
100 |
103 |
The
Band Wagon |
1953 |
Minnelli |
|
|
27 |
|
|
|
100 |
104 |
To
Be or Not to Be |
1942 |
Lubitsch |
|
|
|
|
|
61 |
105 |
105 |
The
Birth of a Nation |
1915 |
Griffith |
|
|
|
14 |
|
93 |
94 |
106 |
A
Man Escaped |
1956 |
Bresson |
48 |
|
|
26 |
|
|
105 |
107 |
Nosferatu |
1922 |
Murnau |
|
99 |
|
|
|
|
94 |
108 |
Manhattan |
1979 |
Allen |
52 |
|
|
|
|
|
100 |
109 |
The
Music Room |
1958 |
Ray |
|
|
|
|
|
61 |
105 |
110 |
The
Exterminating Angel |
1962 |
Buñuel |
|
|
13 |
|
|
50 |
128 |
111 |
The
Maltese Falcon |
1941 |
Huston |
|
|
|
|
|
|
91 |
112 |
Days
of Heaven |
1978 |
Malick |
17 |
|
|
|
|
|
105 |
113 |
Monsieur
Verdoux |
1947 |
Chaplin |
|
|
|
|
|
73 |
105 |
114 |
Chimes
at Midnight |
1966 |
Welles |
|
|
40 |
|
|
93 |
105 |
115 |
Weekend |
1967 |
Godard |
39 |
|
|
|
|
|
105 |
116 |
Gone
With the Wind |
1939 |
Fleming |
|
|
|
|
42 |
93 |
118 |
117 |
Vivre
sa vie |
1962 |
Godard |
|
99 |
|
41 |
|
|
105 |
118 |
King
Kong |
1933 |
Cooper |
|
|
39 |
|
|
105 |
|
119 |
Earth |
1930 |
Dovzhenko |
|
|
|
|
88 |
|
105 |
120 |
Los
Olvidados |
1951 |
Buñuel |
|
|
|
69 |
|
|
105 |
Directors with 5 movies in the top 120:
Luis Buñuel
Alfred Hitchcock
Directors with 4 movies in the top 120:
Ingmar Bergman
Charles Chaplin
Federico Fellini
John Ford
Directors with 3 movies in the top 120:
Francis Ford Coppola
Carl Theodor Dreyer
Jean-Luc Godard
Stanely Kubrick
Akira Kurosawa