By the end of this course you should be able to
-demonstrate knowledge of ideas growing out of the field of semiotics;
-recognize the impact of cultural, economic, political, and social environments
upon the development of the codes we use;
-show knowledge of works by female authors;
-demonstrate how reading writing speaking, listening, viewing, and thinking
are interrelated;
-show knowledge of works of literary theory and criticism;
-use a wide range of writing strategies to generate meaning and to clarify understanding.
(Course objectives adapted from NCTE guidelines)
Required Texts (Available at Shakespeare & Co. on Hillel Place):
Chandler, Daniel. Semiotics; The Basics; 2nd edition. Routledge, 2007.
Perron, Paul, and Marcel Danesi. Classic Readings in Semiotics; for Introductory
Classes. Legas, 2003.
COURSE OUTLINE
Section 1: WEEKS 1-5: Introducing Semiotics; Early Ideas & 2 Models of the Sign
Readings - Chandler, Introduction, and Chapters 1 & 2
-St. Augustine, "The Sign," (in Classic Readings)
-Charles S. Peirce, "A Theory of the Sign," (in Classic Readings)
- Ferdinand de Saussure "The Linguistic Sign," (in Classic Readings)
Section 2: WEEKS 6-8: Structural Analysis and Tropes
Readings - Chandler, Chapters 3 & 4
- Claude Levi-Strauss, "Structural Analysis" (in Classic Readings)
Second Exam: date to be announced
Section 3: WEEKS 9-11: Codes
Readings - Chandler, Chapter 5
-Susanne K. Langer, "Forms," (in Classic Readings)
-Roland Barthes, "Language vs. Speech" (in Classic Readings)
Term Paper Due: date to be announced
Section 4: WEEKS 12-14: Intertextuality and Models of Communication
Readings - Chandler, Chapters 6 & 7.
- Roman Jakobson, "Linguistics and Poetics" (in Classic Readings)
Participation:
Students must attend regularly, arrive on time and must be prepared to participate,
having done the assigned work. Participation will count for 10% of the overall
grade for the course.
Assignments:
Papers:
Students will write one term paper of 5-7 pages, with four books and/or journal
articles in the bibliography
Exams:
At the end of each of the first two sections of the course there will be an
in-class test. There will be a final on (date to be announced)
Grading:
Grades will be based on the following percentages:
Class Attendance and Participation--10%
Homework Assignments--10%
In-class Tests--40%
Term Paper-- 20 %
Final Exam-20%
Evaluation criteria for class participation:
Your class participation will be judged on the basis of your questions, your respect for other class members' and my points of view (as shown in the way you respond to others' ideas), and your attentiveness to the discussion (people who don't like to speak frequently will not be penalized, but you should make an effort to participate). I also expect that your participation will reflect your having done the reading for each class.
Evaluation criteria for written work:
From a list by Lewis Hyde, edited by Sue Lonoff, with thanks to Richard Marius's
writing handbook.
The Unsatisfactory Paper.
The D or F paper either has no thesis or else it has one that is strikingly
vague, broad, or uninteresting. There is little indication that the writer understands
the material being presented. The paragraphs do not hold together; ideas do
not develop from sentence to sentence. This paper usually repeats the same thoughts
again and again, perhaps in slightly different language but often in the same
words. The D or F paper is filled with mechanical faults, errors in grammar,
and errors in spelling.
The C Paper.
The C paper has a thesis, but it is vague and broad, or else it is uninteresting
or obvious. It does not advance an argument that anyone might care to debate.
"Henry James wrote some interesting novels." "Modern cities are
interesting places."
The thesis in the C paper often hangs on some personal opinion. If the writer
is a recognized authority, such an expression of personal taste may be noteworthy,
but writers gain authority not merely by expressing their tastes but by justifying
them. Personal opinion is often the engine that drives an argument, but opinion
by itself is never sufficient. It must be defended.
The C paper rarely uses evidence well; sometimes it does not use evidence at
all. Even if it has a clear and interesting thesis, a paper with insufficient
supporting evidence is a C paper.
The C paper often has mechanical faults, errors in grammar and spelling, but
please note: a paper without such flaws may still be a C paper.
The B Paper.
The reader of a B paper knows exactly what the author wants to say. It is well
organized, it presents a worthwhile and interesting idea, and the idea is supported
by sound evidence presented in a neat and orderly way. Some of the sentences
may not be elegant, but they are clear, and in them thought follows naturally
on thought. The paragraphs may be unwieldy now and then, but they are organized
around one main idea. The reader does not have to read a paragraph two or three
times to get the thought that the writer is trying to convey.
The B paper is always mechanically correct. The spelling is good, and the punctuation
is accurate. Above all, the paper makes sense throughout. It has a thesis that
is limited and worth arguing. It does not contain unexpected digressions, and
it ends by keeping the promise to argue and inform that the writer makes in
the beginning.
The A Paper.
The A paper has all the good qualities of the B paper, but in addition it is
lively, well paced, interesting, even exciting. The paper has style. Everything
in it seems to fit the thesis exactly. It may have a proofreading error or two,
or even a misspelled word, but the reader feels that these errors are the consequence
of the normal accidents all good writers encounter. Reading the paper, we can
feel a mind at work. We are convinced that the writer cares for his or her ideas,
and about the language that carries them.
Copyright © 2002, 2003 by the President and Fellows of Harvard College.
Permission is granted to non-profit educational institutions to reproduce this
document for internal use provided that the Bok Center's authorship and copyright
are acknowledged.
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