Fabio Girelli-Carasi

INTERCULTURAL LITERACY
MLAN 2150

Basic Rules

  1. All assignments and eventual quizzes must be emailed by 11.59PM of the due date, EASTERN STANDARD TIME.
     
  2. LATE work will not be accepted, even if it is late by one minute. (Please, don't try this stunt.
     
  3. Meeting a deadline also counts as "attendance."
     
  4. There are no extensions, no exceptions and no "extra credit."
     
  5. Partial or incomplete assignments will not be graded.
     
  6. I will post one assignment at a time, about every 3-4 days. If I decide to give quizzes, they will be announced 3-4 days in advance.
     
  7. No cheating. One strike and your are out. (Scroll down for policy details.)
     
  8. Mistakes in email messages and document format will result in a penalty.
     
  9. Additional instructions will be provided as needed during the session.
     
  10. The course homepage contains the course's official record.

  Academic Integrity 
  (i.e. no cheating)


Academic dishonesty of any type, including cheating and plagiarism, is unacceptable at Brooklyn College. Cheating is any misrepresentation in academic work. Plagiarism is the representation of another person's work, words, or ideas as your own. Students should consult the Brooklyn College Student Handbook for a fuller, more specific discussion of related academic integrity standards. Faculty members are encouraged to discuss with students the application of these standards to work in each course. Academic dishonesty is punishable by failure of the "test, examination, term paper, or other assignment on which cheating occurred" (Faculty Council, May 18, 1954). In addition, disciplinary proceedings in cases of academic dishonesty may result in penalties of admonition, warning, censure, disciplinary probation, restitution, suspension, expulsion, complaint to civil authorities, or ejection.
(Adopted by Policy Council, May 8, 1991.)

 

EMAIL PROTOCOL

It's time to set some rules about your emails.

  1. YOUR SCREEN NAME MUST SHOW YOUR FIRST AND LAST NAME. If you don't know what a screen name is, google it. If you don't know how to change it, maybe this course is not for you.
     

  2. When you compose a new message, or respond to a message from a professor, start with a greeting. Do not "hey" them.
     

  3. If the conversation goes back and forth, skip the greetings. You can go straight to the point.
     

  4. Every single message must have your signature. Set up the automatic signature option.
     

  5. I require complete grammatical sentences, with upper case where needed and proper punctuation. Impossible to do it with your phone? Wait until you get to a computer.
     

  6.  No one-liners.
     

  7. DO NOT RECYCLE THE SUBJECT OF OLD MESSAGES. If you want to talk about something new, compose a NEW message with ta descriptive subject. (Suggested subject: "New problem / question.")
     

  8. In an ongoing conversation, in each message repeat the relevant information and circumstance (lost assignment, message not-received etc.) Nobody can read your mind except you.
     

  9. If you run into problems with the website, either a but or a mistake on my part, please let me know as soon as possible.
     

ASSIGNMENT FORMAT
 
File name:  the file name must be:      last name /dot/ due date

EXAMPLE:     smith.april9.docx        Nothing more, nothing less.
 
USE THE DUE DATE NOT THE DATE WHEN YOU FINISHED THE ASSIGNMENT.

 


EXAMPLE OF ASSIGNMENT FORMAT

I will only accept assignments in the following formats: .doc  .docx  .rtf

I will not accept Macintosh .pages or .pdf

Do not 'share' documents from google docs or any other archival/sharing system. I will not open them.

All your assignments must be emailed as attachments.

 


Attach your assignment to an email message. Pay attention to the correct email subject.

EXAMPLE of Email subject:    Assignment APRIL 9

All you have to write is    "Assignment" and the due date. (I set up my email to route every message with "assignment" in the subject to a dedicated folder.)

Nothing else. No assignment number, no creative subjects, no need to add your name. JUST THE SUBJECT OF YOUR EMAIL and the DUE DATE.   THE DUE DATE, not the date you are mailing it.

 

COURSE DESCRIPTION

If you are unsure what "intercultural literacy" means, don't feel too bad.
My department (Modern Languages) has full programs in Chinese, French, Italian, Russian, Spanish and courses in other languages. We had to come up with a title and description that was generic enough to cover the content of courses taught by professors with expertise in different areas.

The basic idea is to examine how different groups that share a common national origin; or a language; or a culture  see each other. For example, a French professor will focus on the Francophone world, which includes France, several French-speaking countries in Africa, Central-South America, Asia and Quebec (Canada). A Spanish instructor will talk about Spanish and Hispanic cultures. That is the "intercultural" part.

My area of specialization is Italy, and the cultures of Italians and Italian Americans. The course will focus on how America and Italy represent Italian-Americans (can you think of any stereotypes?) and how Italian-Americans represent themselves. We will spend time working on the concept of how ALL minority communities, and ESPECIALLY IMMIGRANTS  struggle for self-representation in order to dispel stereotypes and suspicion; and validate their self-image and self-representation.

We will use the experience of Italians as a starting point for a much wider survey of how CULTURES are represented in the media (media, btw, is a plural noun and it includes all forms of communication.)

We will examine various TYPES or TEXTS.: cartoons from old newspapers; shorts; old silent full-length movies; feature films; songs; essays; and, of course, "books." Books include an autobiography, an autobiographical novel, a fictional work and a graphic novel.

We will observe how the the struggles, hardships, anxiety and humiliations suffered by Italians, are unfortunately still inflicted on today's immigrants. We will see how being "different" caused and still causes conflicts and strife.

We will also laugh at the humor of these people, at how they coped and how they were finally accepted (fully?) into the fabric of America.

 

 

COURSE REQUIREMENTS
  • DEADLINES: they are the equivalent of class attendance. Every deadline will be posted with due advance notice.
    NO EXCEPTIONS:
      NO CREDIT FOR LATE ASSIGNMENTS or QUIZZES; LATE BLOG COMMENTS WILL BE DELETED.
     
  • Lectures and Assignments will be posted regularly on the course homepage. They may consist of actual prompts, exercises and other materials, or they may be LINKS to an outside website.

    Expect TWO lectures and assignments per week, consisting of a variety of tasks.
    It is your responsibility to check the homepage regularly to meet deadlines.

     
  • Discussions/blog: post your comments on the assigned topics. Late comments will be deleted.
     
  • Quizzes: If, in my judgment, the class is making satisfactory progress and homework assignments are consistently of high quality, I may decide that quizzes are not necessary. If and when quizzes are scheduled, they will be announced in advance (with an allowance for unforeseeable events.) Usually, you will have 24 hours to complete a quiz.
     
  • Final Exam.
 
  FINAL GRADE
 
ASSIGNMENTS and QUIZZES (each item has equal weight)

 80%

Blog participation

15%

Final Exam

5%

TOTAL

100%

 

LIST OF TEXTS

REQUIRED BOOKS   (EBOOKS ARE OK)

  • Pascal D'Angelo
    SON OF ITALY

    Paperback: 180 pages
    Publisher: Guernica Editions Inc. (August 14, 2003)
    ISBN-13: 978-1550710984
     
  • Pietro Di Donato
    CHRIST IN CONCRETE

    YOU MUST BUY THE EDITION WITH THIS COVER. USE THE ISBN AS A REFERENCE


    Paperback: 240 pages
    Publisher: NAL Trade (September 7, 2004)
    ISBN: 0-451-21421-8
    ISBN-13: 978-0451214218
     

  • Mario Puzo
    THE GODFATHER
    CAREFUL: THERE ARE SEVERAL EDITIONS. CHOOSE THE VERSION "THE ORIGINAL CLASSIC"
      

    Paperback: 448 pages
    Publisher: NAL Trade (March 1, 2002)
    ISBN-13: 9780451205766
     

  • DO NOT BUY THIS BOOK UNTIL I TELL YOU
    AVAILABLE ONLY ONLINE

    Robert Tinnell (Author) Alex Saviuk, Ed Piskor (Illustrators)
    FEAST OF THE SEVEN FISHES: The Collected Comic Strip and Italian Holiday Cookbook

    Publisher: Allegheny Image Factory (Nov 1, 2005)
    ISBN-10: 0976928809

     

FILMS

I will place ONLINE films that are not covered by copyright.

FOR ALL THE OTHER FILMS, YOU CAN USE ANY RENTAL/PURCHASE SERVICE
or you can OBTAIN THEM IN THE LANGUAGE LAB.

  • The Black Hand (online, no copyright)

  • The Skyscrapers of New York (online,no copyright)

  • The Italian (online,no copyright)

  • L'emigrante (online)

  • Sacco & Vanzetti (online)

  • Marty (commercially available)

  • Moonstruck (commercially available)

  • The Godfather Part 1 (commercially available)

  • True Love (commercially available)

    The list of films will be updated. Refer to thecourse homepage for all assignments.

Additional texts will be assigned during the semester.
 
CALENDAR

Dates, lesson plans and assignments are to be regarded as indicative only.

I RESERVE THE RIGHT TO MAKE CHANGES TO THE CALENDAR AS NEEDED

The course homepage contains the calendar of record.
Detailed and updated information on lectures and assignments are posted
on the homepage

 

Lectures ASSIGNMENTS are to be COMPLETED BY THE LECTURE'S DATE

 

Lecture 1: Italian Americans as a Tribe (socio-anthropological view) DUE: email acknowledging syllabus; assignment 0; preliminary requirements; must have purchased Son of ITALY. Sarducci video.
Lecture 2: A brief history of Italy, Italians and Italian Americans DUE: INTRO LECTURE; CARTOONS; NYTimes articles on multiple identities.

Notes and writing assignment. Blog.

Lecture 3: Language and Dialects. Representation vs. Self Representation. Cartoons, silent movies, videos. Literary texts. DUE: Lecture THE GREAT MIGRATIONS part 1 and 2; First films; The Black Hand; The Skyscrapers of New York. . ONLINE MoMA exhibit: The Great Migration (African Americans).

Notes and writing assignment. Blog.
Lecture 4: SON OF ITALY: Themes, theories, topics for reflection. The Italian, Birth of a Nation: film and racial politics. Semiotics. DUE:   Lecture History of Italians and Italian language;  Son of Italy pag. 98. Research NEW ORLEANS; Salvetti caps 1 , 2.  The Italian (1915)

Notes and writing assignment. Blog.

Lecture 5: L'emigrante, Sacco e Vanzetti, social history of Italian immigration in words and images. Giannitti. The anarchist movement in Paterson, NJ. DUE:   Son of Italy FINISH THE BOOK.

Notes and writing assignment. Blog.

Lecture 6: Self representation: immigrant songs, Gay Talese on self-representation.
 Fred Gardaphe.
Immigrant songs; Essays by Gay Talese on self representation
Prezzolini

Notes and writing assignment. Blog.

Lecture 7: Chris in Concrete: avant garde, literature and textuality. Book Christ in Concrete

Notes and writing assignment. Blog.

Lecture 8: Chris in Concrete; Give us This Day: from the page to the screen. Integration and its cost in human terms. Becoming working class. Film Give us Today
Book Christ in Concrete

Notes and writing assignment. Blog.

Lecture 9: The Godfather (Puzo): becoming the elite. The persistence of social marginality.  Tamburri: "A Semiotic of Ethnicity" (excerpt) Book The Godfather

Notes and writing assignment. Blog.

Lecture 10: The Godfather (Puzo & Coppola): The metaphysics of evil? The metaphor of class stuggle? An ethno-political manifesto? The ideology of meritocracy? Film The Godfather
Book The Godfather

Notes and writing assignment. Blog.

Lecture 11:Excerpts from The Transplanted: Italian Americans as seen from Italians in America. Book: Excerpts from The Transplanted

Notes and writing assignment. Blog.

Lecture 12: Marty; True Love: being working class in contemporary America. Being a young American from an Italian American community. Film Marty, True Love
Book: Excerpts from A Semiotic of Ethnicity (by Anthony Tamburri)

Notes and writing assignment. Blog.

Lecture 13: The Feast of the Seven Fishes; Kiss me Guido: the persistence of kind and not-so-kind stereotypes. Nostalgia as ethos. The imperfect assimilation. Film: Kiss me, Guido
Book: The Feast of the Seven Fishes

Notes and writing assignment. Blog.