by David Della Fera

 

A Trip Home

 


 

He stood at the back door collecting drizzle on his hat brim and overcoat, bulging K-Mart bags dangling from his hands. He had forgotten bus fare for the ride home; was my father around?

We wound through Branch Brook Park, the cherry blossom trees bare and shiny with rain. The crackling of plastic bags buried the low hum of the radio as Italo pulled out each item and checked it against the long receipt: Tylenol boxes, film containers, jumbo Hershey bars, Marlboro cartons, economy packages of Wrigley’s. With pride he had told me the details of the flight, proved them by taking the ticket out of his coat pocket several times to show me: Alitalia flight 832, leaving Newark at 9:30 p.m. next Friday. Bags in lap, he was poised to curry favor with the na­tives by awing them with this bounty of American purchasing power.

“Thirty-two years I waited,” Italo said. “That’s longer than you’ve been alive. Dio mio, I’m old.” He cackled at his quip and sent a volley of spittle onto the windshield and my right arm.

I pulled a right at Franklin Street since the old way through North Sixth was no longer safe because of angry kids in hateful neighborhoods. Before I started kindergarten my father had moved us out of Newark and across the river to Arlington as part of the exodus following the riots. We used to live next door to Italo and his sister, my father’s paesani.

“Everything will be different. Il Terremoto destroyed the whole town. They say I won’t recognize it.”

I had never heard any of the old men call Italo by his name when he wasn’t around. He was known as Giofecco, a nickname I think means the junk at the bottom of a bottle of bad wine. My father had grown apart from him during the past few years. Italo had remained on North Twelfth Street, never bought a car, never married. We had moved to a nicer town and spoke English at home; we had made it to the middle class on a machinist’s salary.

“Do you remember living on Twelfth Street?” he asked.

“I remember little things. I remember our apartment, Zia Car­mela’s apartment” — he crossed himself — “I remember the bon­fires in the yard for San Giuseppe.”

He waved me silent. “You were small, a little boy. It used to be nice. Everybody’s dead.” He laughed. “That’s life, you know.”

We crossed Bloomfield Avenue and entered the North Ward with its two- and four-family apartment houses crouched together with little room to breathe. We passed my old house, a red brick fortress that was more familiar to me from home movies than from memory. I parked the Cavalier in Italo’s driveway and helped him out. He winced at the tight squeeze between the door and the bushes and brushed down his overcoat with his hands. Outside of summertime I never saw him dressed in anything but tie, vest, and jacket, an old-time tailor’s proud stance against the conquest of casual clothes for adults. He turned to me and grabbed my hand. “Leave the bags in the car,” he whispered. He answered my puzzled look with a finger to his lips and a nod to­ward the front door. His sister stood partially concealed behind it, eyeing us both. Her hair was still a rusty red with only a hint of gray, her round pale face splashed with freckles, characteristics I imagined passed down from some Vandal invader raping an an­cestral plebeian centuries earlier.

I followed Italo barehanded. He walked slowly, as though her gaze weighed him down until his chin grazed his chest.

We stood in the lobby, his sister forcing a rectangular smile over clenched dentures.

“Come sta, signora.”

She clasped her hands in front of her. “Bene. I haven’t seen you in so long. How is your family?”

“They’re fine.”

The smile disappeared as she turned to Italo, his hands tapping the sides of his thighs.

“And you? Where have you been?”

“At Angelo’s house. I took the bus.”

Her face tensed. Italo looked down at his feet, over to mine, to the bottom of the door. She smiled again.

“And he made you take him here? He’s a crazy old man.”

I chuckled. “No, signora. He has pictures I want to see. Pictures of Calabritto. When he and my father were boys.”

“Ah yes, pictures.”

Italo held his hat in his hands, examining the inside as if he were looking for a place to hide.

“You can give him something to eat?” Her voice stung. Italo looked up, surprised and slightly angered.

“Of course. Of course.”

“I’m not very hungry.”

She ignored me. “Go upstairs, then. Go get the pictures.” She stood in the lobby as the pounding of our footsteps echoed through the stairwell. I heard her apartment door close after we went around the first landing and put my hand on the small of Italo’s back to support his climb.

The apartment appeared exactly as I had remembered it: the rabbit-eared television in the corner, the ashtray on the coffee ta­ble, the brown couch bracing the blank white wall. I followed him into the kitchen and sat at the table as he removed his hat and overcoat in the adjoining bedroom. “I don’t have too much to eat,” he shouted to me. “You like tomatoes?”

“Yes.” I opened the mini-venetian blinds behind me and watched underwear and t-shirts waving on the lines above the concrete backyards.

Italo shuffled into the kitchen, leaning slightly to the left, ex­cited by his role as host. He pushed some strands of gray hair onto the top of his long oval head and stood with indecision.

“You sure you want tomatoes? I don’t have too many things.”

“I like tomatoes. With bread.”

He nodded and instantly the kitchen swirled with the clanking of plates and knives, drawers open and shut several times, cabi­nets slamming closed and glasses clinking on the table. In his flurry he used three knives to cut one tomato and gave me four glasses for the wine, each a different size and shape, all coated with water spots and an occasional speck of dried food on the rim. As he hunched over the counter dousing the tomato slices with oil and oregano, I cleaned a small glass with my shirt and filled it halfway from the green gallon bottle of Carlo Rossi.

“Your father and I have known each other since we were kids.” He held one hand parallel to the floor at his waist to show their actual size as the other slid the plate of tomatoes onto the table. I forked some into my plate as Italo stuffed a napkin into his shirt and pushed the bread and provolone my way. “One year apart. He went to work for the locksmith, I went to learn from the tailor. That was all there was. Unless you were an idiot. Then you learned to be a barber.” He shrugged and bit into a hunk of bread and tomato, still speaking with a piece of crust pushing out of his cheek. “He was smart, your father. All the kids liked him. He had respect.”

I nodded at the familiar boast I had often heard at home.

“Listen.” His face became severe as he held his glass over the table. “We had nothing. Nothing. Then the war came.” He shud­dered theatrically and let out a moan. “Terrible.” He gulped his wine. “1944. The worst year. I’ll never forget it. Ask your father. We had to climb the trees at night on the farmer’s property to get figs.” He cackled loudly. “Ask your father. We were hungry all the time. We climbed up the tree and ate the figs and there were ants all over them. Nobody cared!” He coughed as he laughed. “Che misarable! Che misarable!”

His laughter died down to hiccups after another glass of wine. “Have you ever been back?” I asked.

“1964, when my mother died. I was here for six years. My sister took care of her while she was sick. I sold the property and brought my sister here. She didn’t want to come.” He shrugged. “Now it’s different. The earthquake destroyed everything. It’s all new, except for the mountains.” He paused. “If it wasn’t for work, I never would have left.”

When the tomato plate was empty I declined his offer to make coffee. He cleaned the table as noisily as he had set it, wrapping the tablecloth and unfurling it out the window to free it from crumbs.

I followed him through the living room. He drew open the folding doors to another room and turned on the single bare bulb in the ceiling. Cardboard boxes and black trunks were stacked waist-high around the walls, some covered with white sheets. I watched as Italo put on his glasses and bent over the boxes, touch­ing their sides to divine their contents, then moving on. He pulled out one and dragged it across the floor to my feet, excitement spreading across his face. He brought two folding chairs over and we sat opposite each other looking down into a box filled with papers and loose photographs. He seemed to forget about me as he quickly peered into folders and envelopes, discarding each on the floor before digging in again. He plucked a little green book and flipped through the pages before handing it to me. “My pass­port when I came to America.” I caressed the leather cover with my thumb and flipped it open. The script in it was faded. I stared at the picture of Italo, here a young man in black-and-white, an aura of darkness around his head like you see in many old photos. His face was serious and somber, possessing the cocksuredness that with age transforms into a sort of comic criminality. “You were handsome,” I said. “Like a mafioso.”

He laughed. “Like a donkey.” We sorted through many photos of unsmiling people whose names and relations to us both were rattled off and quickly forgotten. I was eager to see a picture of my father as a boy. The earliest one I had ever seen was his own pass­port photo, taken when he was twenty-two.

Italo’s face brightened behind his bifocals. “Here he is.” He handed me a creased square of cardboard with a yellowed scal­loped border. A vaguely familiar boy stood in front of a doorway wearing Our Gang knee-highs and a dirty ruffled shirt. He frowned distrustfully into the camera. I loved it.

“He was twelve years old. 1945. The war just ended. The American soldiers took pictures. I don’t remember how I got this one. Take it.”

We spent another hour pouring over the contents of that box, Italo bringing a story to every new face. The doorbell rang several times. Italo let it continue without getting up, then dropped a handful of pictures into the box. “That’s my sister. Excuse me.” I helped him out of his chair. “Take anything you want.”

I paced around the room, glancing into boxes, poking behind chairs and trunks. I found a small parcel of newspaper clippings on a shelf, tied together with string like a cake box. The carefully cut articles were brittle and brown with age. Headlines celebrated the 1982 World Cup team; a dozen or so announced the devasta­tion of the 1980 earthquake. Others went further back: Joe DiMag­gio at the Newark Columbus Day parade in 1976; a profile of my father’s and Italo’s social club, dated June 7, 1969. In the center of the papers I felt something hard, about a quarter-inch thick. I pulled out a stack of long cards tightly bound with a rubber band. I flipped through them with my thumb. Some were fairly new, some faded, but all contained the same type of information: Ali­talia flight 773, departing from Newark June 6, 1994; Alitalia flight 467, departing October 14, 1993; flight 1061, July 12, 1990; 277, August 20, 1987; June 1983; May 1981; 1979; 1976; 75; 71; 68. All unused. I stroked the edges gently with my fingers. The buzz of his sister’s angry voice rose in the stairwell. I rewound the rubber band around the tickets and placed them back on the shelf, cover­ing them with a newspaper page screaming “Moro Assassinato.”

Italo walked through the front door, sagging with the weight of the K-Mart bags. He turned into his bedroom without looking my way. I heard a closet door creak open and shut. He reappeared in the living room, pale and frowning slightly, eyes averted like a boy just scolded for stealing the neighbor’s figs. He seemed to shrink into himself, fading into the heavy silence.

“These pictures are great.”

He looked up and smiled. He walked into the room and stood over me.

“I knew you would like them. Take whatever you want.”

“Just this.” I held up the picture of my father as I rose.

“Those were different times. When I go back I’ll remember eve­rything.”

He stood outside his door to watch me leave. “Come again. Next time I’ll have a nice lunch for you.” I waved before turning down the next flight. The steps creaked as I approached the door of his sister’s apartment. I could sense her body pressed behind it, listening for my exit, all that heat and anger impossible to conceal. I hurried out into the light rain and tucked the photo in my jacket pocket before making a dash for the car.