A Companion Text for Core Studies 6
Genres
§ I. The Theory of Genres
Literary Genres
Classification by Types
How Literary Critics Have Used Genres
§ II. Tragedy: A Genre
Tragedy
Greek Tragedy: Aristotle's Poetics
Medieval Tragedy and the Wheel of Fortune
Elizabethan or Shakespearean Tragedy
The Problem Play or Drama of Ideas
Selections from Aristotle's Poetics
The Tragic Vision
§ III. Lyric Poetry: A Genre
Reading Lyric Poetry
Lyric Poetry and Familiar Popular "Texts"
Lyric Poetry: The Conventions We Already
Know
The Lyric Stanza: A Convention
Lyric Epiphanies and Speakers
The Meditative Romantic Ode
§ IV. The Novel: A Genre
The Novel
Introduction
Development of the Novel
Reasons for the Novel's Popularity
Experimentation: The Developing Role of the
Naarrator
Proliferaiton of Types
Historical Background
Literary Periods
The Period Concept
Cautions and Qualifications
Usefulness of the Concept
Period Descriptors
Medieval View of Love
The Chain of Being and Caritas
Caritas vs. Amor
Courtly Love
The Renaissance
General Characteristics of the Renaissance
The Great Chain of Being
Political Implications of the Chain of Being
Humanism
"Imitation"
Protestant Reformation
Literary Ramifications
Shakespeare's Theater
English Theater in the Mid-Sixteenth Century
Shakespeare's Stage
Shakespeare's Language
Shakespeare's Multiple Perspectives
How Not to Read Shakespeare
Neoclassicism
Introduction to Neoclassicism
The New Restraint
Influence of the Classics
Neoclassical Assumptions and Their
Implications
Social Themes
The Age of Reason
Romanticism
Introduction to Romanticism
Historical Considerations
Imagination
Nature
Symbolism and Myth
Other Concepts: Emotion, Lyric Poetry, and
the Self
Contrasts with Neoclassicism
Individualism: The Romantic Hero
The Everyday and the Exotic
The Romantic Artist in Society
Spread of the Romantic Spirit
Recent Developments
Excerpts from A Guide to the Study of
Literature: A Companion Text for Core Studies 6, Landmarks of
Literature, ©English Department, Brooklyn College.
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