Fabio Girelli-Carasi
ENGLISH 2003
Spring 2020
ENGLISH 2003: ITALIAN AMERICAN FILM AND LITERATURE - TUE-THU TuTh 3:40PM - 4:55PM COURSE DESCRIPTION This course introduces the representation of Italian American identity through a variety of “texts”: cartoons, short videos, films, songs and literary works. Beginning with the wave of the Great Migration (from 1880 to 1920) we will examine how America
represented Italian immigrants (not very kindly) and how
Italians in America began to perceive and represent themselves,
from the years of rejection and even violence (something like 35
Italians were actually lynched) to the slow process of
integration and amalgamation into society. The course will focus on how America and Italy represent Italian-Americans (can you think of any stereotypes?) and how Italian-Americans represent themselves. We will spend time working on the concept of how ALL minority communities, and ESPECIALLY IMMIGRANTS struggle for self-representation in order to dispel stereotypes and suspicion; and validate their self-image and self-representation. We will use the experience of Italians as a starting point for a much wider survey of how CULTURES are represented in the media (media, btw, is a plural noun and it includes all forms of communication.) We will examine various TYPES or TEXTS.: cartoons from old newspapers; shorts; old silent full-length movies; feature films; songs; essays; and, of course, "books." Books include an autobiography, an autobiographical novel, a fictional work and a graphic novel. We will observe how the the struggles, hardships, anxiety and humiliations suffered by Italians, are unfortunately still inflicted on today's immigrants. We will see how being "different" caused and still causes conflicts and strife. We will also laugh at the humor of these people, at how they coped and how they were finally accepted (fully?) into the fabric of America. Assessment: short essays based on self-reflection, web research on relevant corroborative source, and short quizzes. The final exam will consist of a presentation of individual research of online documentaries containing additional background information on the most relevant issues discussed in class. |
Academic Integrity
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Student Bereavement PolicyStudents who experience the death of a loved one must contact the Division of Student Affairs, 2113 Boylan Hall, if they wish to implement either the Standard Bereavement Procedure or the Leave of Absence Bereavement Procedure (see below). The Division of Student Affairs has the right to request a document that verifies the death (e.g., a funeral program or death notice). Typically, this death involves that of a family member, in parallel to the bereavement policy for faculty and staff. However, it is up to the discretion of the Division of Student Affairs to determine if a death outside of the immediate family warrants implementation of the student bereavement policy. Standard Bereavement ProcedureUpon approval from the Division of Student Affairs, the
student is allowed one week, commencing from the day of the
death of the loved one, of excused absence. Should the student
feel that he or she needs additional days, these should be
discussed with individual course instructors and/or the Division
of Student Affairs. |
Basic Rules
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EMAIL PROTOCOL It's time to set some rules about your emails.
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COURSE REQUIREMENTS
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CLASS CONDUCT
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FINAL GRADE |
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ASSIGNMENTS and QUIZZES (each item has equal weight) |
60% |
Blog participation | 30% |
Final Exam
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10% |
TOTAL |
100% |
LIST OF TEXTS |
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REQUIRED BOOKS (EBOOKS ARE OK)
Pietro Di Donato
Mario Puzo AVAILABLE ONLY ONLINE Robert Tinnell (Author) Alex Saviuk, Ed Piskor (Illustrators) FEAST OF THE SEVEN FISHES: The Collected Comic Strip and Italian Holiday Cookbook Publisher: Allegheny Image Factory (Nov 1, 2005) ISBN-10: 0976928809 |
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FILMS I will place ONLINE films that are not covered by copyright. FOR ALL THE OTHER FILMS,
YOU CAN USE ANY RENTAL/PURCHASE SERVICE
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Additional texts will be assigned during the semester. |
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Lectures | ASSIGNMENTS are to be COMPLETED BY THE LECTURE'S
DATE
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WEEK 1: Italian Americans as a Tribe (socio-anthropological view) | DUE: email acknowledging syllabus; assignment 0; preliminary requirements; must have purchased Son of ITALY. Sarducci video. | |
WEEK 2: Overview history of Italy, Italians and Italian Americans | DUE: INTRO LECTURE; CARTOONS; NYTimes
articles on multiple identities.
Notes and writing assignment. Blog. |
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WEEK 3: Language and Dialects. Representation vs. Self Representation. Cartoons, silent movies, videos. Literary texts. | DUE: Lecture THE GREAT MIGRATIONS part 1 and
2; First films; The Black Hand; The Skyscrapers of New York. .
ONLINE MoMA exhibit:
The Great Migration (African Americans). Notes and writing assignment. Blog. |
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WEEK 4: SON OF ITALY: Themes,
theories, topics for reflection. The Italian, Birth
of a Nation: film and racial politics. Semiotics. Autobiography vs "autobiographism." |
DUE: Lecture History of Italians and
Italian language; Son of Italy pag. 98. Research NEW ORLEANS;
Salvetti caps 1 , 2. The Italian (1915) Notes and writing assignment. Blog. |
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WEEK 5: L'emigrante, Sacco e Vanzetti, social history of Italian immigration in words and images. Giannitti. The anarchist movement in Paterson, NJ. | DUE: Son of Italy FINISH THE
BOOK.
Notes and writing assignment. Blog. |
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WEEK 6: Self representation: immigrant songs, Gay
Talese on self-representation. Fred Gardaphe. |
Immigrant songs;
Essays by Gay Talese on self representation Prezzolini Notes and writing assignment. Blog. |
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WEEK 7: Chris in Concrete: avant guard, literature and textuality. | Book Christ
in Concrete
Notes and writing assignment. Blog. |
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WEEK 8: Chris in Concrete; Give us This Day: from the page to the screen. Integration and its cost in human terms. Becoming working class. | Film Give
us Today Book Christ in Concrete Notes and writing assignment. Blog. |
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WEEK 9: The Godfather (Puzo): becoming the elite. The persistence of social marginality. Tamburri: "A Semiotic of Ethnicity" (excerpt) | Book The
Godfather
Notes and writing assignment. Blog. |
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WEEK 10: The Godfather (Puzo & Coppola): The metaphysics of evil? The metaphor of class struggle? An ethno-political manifesto? The ideology of meritocracy? | Film The
Godfather
Book The Godfather Notes and writing assignment. Blog. |
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WEEK 11:Excerpts from The Transplanted: Italian Americans as seen from Italians in America. | Book: Excerpts
from The Transplanted Notes and writing assignment. Blog. |
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WEEK 12: Marty; True Love: being working class in contemporary America. Being a young American from an Italian American community. | Film Marty, True
Love Book: Excerpts from A Semiotic of Ethnicity (by Anthony Tamburri) Notes and writing assignment. Blog. |
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WEEK 13: The Feast of the Seven Fishes; Kiss me Guido: the persistence of kind and not-so-kind stereotypes. Nostalgia as ethos. The imperfect assimilation. | Film: Kiss
me, Guido Book: The Feast of the Seven Fishes Notes and writing assignment. Blog. |
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WEEK 14: Review. Major themes in Italian
American Literature and Films. Representation and self-representation. |